Singular instance (perhaps not if we staged more Venetian Baroque)? Elena Tsallagova (Calisto) and Vivica Genaux (Diana) on the brink of some love duetting in Cavalli’s “La Calisto”, Strasbourg 2017]
It’s May 17th, it’s IDAHOT – International Day Against Homophobia, Transphobia and Biphobia (and Queerphobia at large). It’s a day to remember that we all have bodies, and that how we read or shape or stage these bodies, how we live our truths in relation to them, and to whom these our bodies react (and how), does not make anybody or any body more valuable or ‘truer’ than the other.
Continue reading “White Skirt IDAHOT”
[Outreach Program: Emanuela Galli (Poppea) and Giuseppina Bridelli (Nerone) in Monteverdi’s “L’incoronazione di Poppea”, Schwetzingen 2017.]
Now is the month of maying /
where red ties are a-slaying.
Continue reading “White Shirt Monday: Untied Again”
Last night, the Grand Ariodante Tour of The English Concert started the European leg of their tour at TADW Vienna.
Short version: It was wonderful. Alice Coote’s sound bottled would make the best Scotch ever, Sonia Prina is actually Joan Jett, Christiane Karg should be cast if Todd Haynes ever directs a 1950s opera, I want to know where David Portillo buys his shoes, and the English Concert were British in the very best sense: precise, dedicated and witty with an incredibly rich vocabulary.
Of course, there is a long version.
Continue reading “Rock, Swagger, Whispers: “Ariodante” at Theater an der Wien”
(via Dropbox, Photobucket wouldn’t accept the upload)
I have 13 pages of notes. (I may need help of the medical kind)
And clearly, I am in the office to grade student papers and prepare next week’s lecture. Not to write a review.
Prina just came back.
So… Dehggi chatted her up and we got a fangirling picture.
Didn’t help with the weak knees, honestly.
…and now Karg just walked past in trainers munching carrots. Also a good look on her.
We are debating to remain here until Coote walks past and we can pass out at her feet.