This looks like a one-time narrative adaption with 21st century music (not sure how much Mozart there is still in there, and right now, the French are kind of messing with my French because I am not quite over the screenshot above), but it is queer Lady Don Giovanni.
(By which I mean, God yes please)
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Singular instance (perhaps not if we staged more Venetian Baroque)? Elena Tsallagova (Calisto) and Vivica Genaux (Diana) on the brink of some love duetting in Cavalli’s “La Calisto”, Strasbourg 2017]
It’s May 17th, it’s IDAHOT – International Day Against Homophobia, Transphobia and Biphobia (and Queerphobia at large). It’s a day to remember that we all have bodies, and that how we read or shape or stage these bodies, how we live our truths in relation to them, and to whom these our bodies react (and how), does not make anybody or any body more valuable or ‘truer’ than the other.
Continue reading “White Skirt IDAHOT”
[The point in conversation where Juno needs a cold drink (and we do, too): Giunone (Raffaella Milanesi) and Calisto (Elena Tsallagova) having a heart-to-heart on sleeping with goddesses in Cavalli’s “La Calisto”, Strasbourg 2017.]
[Yes, screencaps. Consider yourself warned, but then again, why else are you all here?]
Continue reading “White Skirt Wednesday: Classic Cavalli”
[Strasbourg is indeed looking very lovely this time of year. – Raffaela Milanesi (Giunone) and Vivica Genaux (Diana) in Cavalli’s “La Calisto”, Strasbourg 2017.]
Continue reading “White Skirt Wednesday: Give That Woman A Cigar”
So… I hear Strasbourg is lovely this time of year?
[The queer Shopping Cart-a Magna: Frank Castorf stages Gounod’s “Faust” at Staatsoper Stuttgart, delivers a genius evening on all accounts, and turns Siebel into a lady, too. Paris, mon amour! – Mandy Fredrich (Marguerite) and Josy Santos (Siebel) going shopping in Gounod’s “Faust”, Stuttgart 2016. – Photo Credit: Thomas Aurin]
Continue reading “White Skirt Wednesday: Fausticuffs”