[The A.T. Schaefer shot that became the cover of the first DVD release of this production, or “how to tell the focal point of Alcina in one image”: Catherine Naglestad (Alcina) and Alice Coote (Ruggiero) in Handel’s “Alcina”, Stuttgart 1999. – Photo Credit: A. T. Schaefer for Staatsoper Stuttgart]
And on the issue of formative classics, it’s time for THE “Alcina” aka Naglestad and Coote burning down the haus in the smart and challenging Wieler/Morabito staging. Also: Helene Schneiderman. And Catriona Smith. And young Claudia Mahnke.
Bring your ice bucket (then again: better bring two. Or the whole bathtub) and meet us this Saturday, Apr. 8th, at 9. p.m. (UTC+2) for some liveblogging and, possibly, livefainting.
Continue reading “Liveblogging Handel’s “Alcina” (Stuttgart 1999) on Saturday”
[Stop the clocks, it’s the White Shirt Mothership Performance (well, one of the two, the other one is the 2003 Salzburg Tito) is descending. – Vesselina Kasarova (Orphée) in Gluck’s “Orphée et Eurydice”, Munich 2003]
Time for another timeless classic: we’re livblogging the Munich 2003 “Orphée” with Kasarova in the lead this upcoming Saturday, April 1st, at 9 p.m. (UTC+2). Bring smelling salts.
Continue reading “Liveblogging Gluck’s “Orphée” (Munich 2003) on Saturday”
[The only version of “Twilight” I’ll ever watch: the one with the mezzo serenading underneath the balcony. #OutMontagued! – Marianne Crébassa (Fantasio) and Marie-Eve Munger (Elsbeth) in Offenbach’s “Fantasio”, Paris/TdC 2017]
The times call for some Offenbach and mezzos in trousers (the again, when do they not?), so this weekend, we’re finally liveblogging the recent “Fantasio” staged by Thomas Jolly at Théâtre du Châtelet, this Saturday, Mar. 25th, at 9 p.m. UTC+1.
Continue reading “Liveblogging Offenbach’s “Fantasio” on Saturday”
[A new entry to the Red Shirts research discussion: Daniela Barcellona (Tancredi) in Rossini’s “Tancredi”, Florence 2005. – Photo Credit: since I don’t have my DVD at the office, this shot comes via the folks of operaclick]
Time for another Rossini contralto musico epic – the one that started it all, “Tancredi”! We’re liveblogging a production that also started an ongoing interest in the work of Daniela Barcellona for more than one of us, the 2005 Maggio Musicale take, this upcoming Saturday, Mar. 18th, at the usual hour of 9 p.m. (UTC+1).
Continue reading “Liveblogging Rossini’s “Tancredi”(Florence 2005) on Saturday”
[Get out the champagne, we are doing this all over again: JoyceDiDonato (Semiramide) and Alex Exposito (Assur) in Rossini’s “Semiramide”, Munich/BSO 2017]
Yes, we only just did this, but since the original livestream had so many hiccups and then some of us were unavailable last weekend when Bayerische Staatsoper kindly made the archived stream available on demand, yet now are unable to wait any longer, we’re hosting a Repeat Double Feature Liveblog of the recent Munich “Semiramide” on Tuesday, Mar. 7th, (pt. 1) and Wednesday, Mar. 8th, (pt. 2), at 9:30 p.m. (UTC+1) each.
Continue reading “Liveblogging Rossini’s “Semiramide”(Munich 2017) again on Tue/Wed”